What the Scene Misses
July 31, 2026 3 min read

You Don't Have to Defend Your Great-Great-Grandfather. The Scene's Own Historian Said So.

The Scene's cover story on how Nashville's historic sites teach slavery is careful, humane, and largely right. It also contains a single sentence that quietly refutes a good deal of the politics the Scene spends the rest of the year advancing. Nobody seems to have noticed.

Responding to "Nashville's Historic Sites Reckon With Their History of Slavery"

Start by granting the Scene everything it asks for, because it's owed. There was no such thing as a good slave owner. Andrew Jackson offered bounties for lashing the people he enslaved. The "happy slave" and the "kind master" are Lost Cause fictions, and the historic houses that tell the truth about what happened on their grounds are doing honest work. A plantation that teaches its own history is not being politically correct. It is being accurate. None of that is in dispute here, and pretending otherwise would be its own kind of lie.

So this is not a complaint about the article. It is an argument about one sentence inside it, and about the fact that the sentence is true in a direction the Scene rarely lets it run.

The sentence

Eric Jacobson, the CEO of the Battle of Franklin Trust, which manages Carnton, the Carter House, and Rippa Villa, is the historian in the piece pushing hardest to make these sites talk about slavery honestly. He is nobody's idea of a Lost Cause apologist. And here is what he told the Scene:

You don't have to defend your racist great-great-grandfather. You didn't know him, and nobody alive today does. Eric Jacobson, Battle of Franklin Trust, in the Nashville Scene, July 30, 2026

Read it twice, because it is doing more than it looks. Jacobson is drawing a clean line between two things our culture works overtime to fuse: acknowledging history and inheriting guilt from it. You can tell the full truth about what your ancestors did, he is saying, and still owe no personal apology for it, because moral responsibility does not pass down a bloodline. The dead are accountable for the dead. You are accountable for you.

That is exactly right. It is also generous, and humane, and it is the thing that lets a descendant walk onto that plantation, look the history full in the face, and not be crushed by it. Jacobson isn't minimizing the past. He's freeing the living from a debt they cannot pay and did not incur.

The direction the Scene won't let it run

Now hold that principle up against the rest of the Scene's year. The idea that guilt is not heritable, that you cannot be morally charged for the acts of people you never met, is not a small idea. It is load-bearing. And it does not stay conveniently on one side of the ledger.

You cannot say, on Wednesday's cover, that no one alive bears the sins of their ancestors, and then spend Thursday's column building a politics on exactly that inheritance. Jacobson stated the true version of the principle. The Scene's usual frame depends on the false one. The cover story quietly refuted the editorial page.

Where the Scene is right

Acknowledging history is not the same as assigning guilt, and the best sites in the article understand the difference precisely. Telling the truth about a plantation is owed to the people who lived and died there. Robert Green, the enslaved horse trainer at Belle Meade whose bloodlines still win at Churchill Downs, should be named and honored. The enslaved cemetery at the Hermitage should be marked and its names read aloud. All of that is memory, and memory is a duty.

But memory is not guilt, and Jacobson said so out loud. The distinction he drew is the one that makes it possible to honor the dead without indicting the living. It is the healthiest sentence in the whole piece.

Why it matters

The bigger picture

A city can tell the complete truth about its past and still refuse to hand its children a bill for it. Those two commitments are not in tension. They are the same act of maturity, and the Scene's own cover story, at its best, embodies both. The trouble is that the paper only lets the principle run one way. Inherited guilt is rejected when a historian says it plainly about a plantation, and reinstated the moment it becomes politically useful somewhere else. Pick one. The historian was right the first time.

You don't answer for your great-great-grandfather. The Scene printed that. It should try believing it on a Tuesday.

What you can do

Read the cover story. It's worth your time and the history is worth knowing. Then find Jacobson's sentence about the great-great-grandfather, and the next time you're told that your ancestry is a moral debt, remember that a Nashville historian rejected that idea in the pages of the Nashville Scene, and the Scene printed it as wisdom. Because it is.

An essay from Nashville Unseen, a center-right counterpoint to commentary in local Nashville media. It affirms the Scene's cover story on Nashville's history of slavery, including that there was no such thing as a good slave owner and that these sites are right to tell the truth. It disputes only the selective application of a principle the Scene itself printed: that guilt is not inherited. editor@nashvilleunseen.com.